An increasing number of South Korean women are choosing not to marry, not to have children, and not even to have relationships with men. With the lowest fertility rate in the world, the country’s population will start shrinking unless something changes.
“I have no plans to have children, ever,” says 24-year-old Jang Yun-hwa, as we chat in a hipsterish cafe in the middle of Seoul.
“I don’t want the physical pain of childbirth. And it would be detrimental to my career.”
Like many young adults in South Korea’s hyper-competitive job market, Yun-hwa, a web comic artist, has worked hard to get where she is and isn’t ready to let all that hard graft go to waste.
“Rather than be part of a family, I’d like to be independent and live alone and achieve my dreams,” she says.
…
When I put it to her that if she and her contemporaries don’t have children her country’s culture will die, she tells me that it’s time for the male-dominated culture to go.
“Must die,” she says, breaking into English. “Must die!”
it’s really weird how all the touted historical examples of “women” who “pretended” to be men seem to fall into two extremes:
1. women who did it for maybe a couple years at most on an extremely limited basis and usually not full time, died as women.
2. people who were men 100% of the time their whole adult lives and made explicit instructions to a trusted person to ensure they were remembered as a man even after death.
gee it’s almost like these two groups were totally separate and have completely different motivations or something. almost like it’s super obvious the 2nd category were all trans men and the only reason they aren’t remembered as men is due to transphobia.
jablinski blows any other game channel out of the water just for the entertainment value of jack black’s son trying to tell him he doesnt know anything about pop culture while jack black against ALL ODDS shows us that he knows way too much about pop culture
the guy from nacho libre plays undertale. cant stress this enough
The bad taste gang might come for me over this post, but the fact is that BNHA and MP100 have some overlapping themes, and that’s one of many reasons why they get compared. BNHA’s treatment of those themes is shallow and unwittingly cruel, but is supposed to be read as positive. Meanwhile, MP100 approaches those themes with hope and compassion
Both BNHA and MP100 explore themes of value as an individual and in society—value judgments of who is average, who is extraordinary, and who is inferior. From the very beginning, BNHA asserts that people are not of equal value, but anyone can improve themselves to meet or exceed the average and become valuable and worthy. I don’t like that one bit—it assigns worth to each individual based on their level of mental and physical ability. It seems like a positive message at first glance, but upon further inspection it’s just desolate.
BNHA asserts that if you physically can’t conform to norms, the only acceptable route to happiness is to do the impossible and exceed those norms. MP100 asserts that if you can’t conform, you are still no better or worse than anyone else, and the path to fulfillment is treating yourself and others with respect.
MP100 answers the question of who is worthy and who is not with the idea that nobody is special—not in a positive way, or a negative way. (“If everyone is not special, maybe you can be what you want to be”.) In the end, whether your ability level in one area or another is within the bell curve, or if it’s at the extreme edge of the range of human experiences, you are good enough to value yourself and be valued by others, but you are not superior, either.
What makes Midoriya different from the established norms around him is something that he must change about his nature as a person. What makes Mob different is his powers and his neurodivergence, and while he’s insecure about both of these things and afraid of the way they manifest in combination (reaching 100% and having a meltdown), the narrative shows that those are neutral qualities and he can do whatever he wants with the hand he’s been dealt in life. (“Mob, Mob, What do you want?” “Mob, Mob, whatever you want!”)
Midoriya’s happiness relies on meeting and exceeding the social norms set for his body and future—gaining a quirk and becoming a hero. He has to change to be treated with any respect. But Mob’s happiness relies on learning that it is okay to be who he is.
Another theme is power: in BNHA, the pursuit of power is treated as something noble and admirable. In MP100, power is treated as something that only immature, self-aggrandizing, destructive people seek; or, in Ritsu’s case, power is something that people seek when they feel helpless and unsafe. But that’s another essay unto itself.
